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THE VIBRANT FLUTE MUSIC OF VENEZUELA

Some notes about the performance of Venezuelan music:

One of the first things to realize in wanting to learn latin music is the importance of listening and learning by listening. Often times the only way to get a hold of a piece of music is to just learn it from the recording. Those of us who have been trained by the classical mold often times are too rigidly attached to the idea of looking at printed music. In fact, the only way to get the feeling of freedom in performing a piece is to learn it with our ears not with our eyes. The expression of risk and abandon which is so necessary for the performance of a Joropo or a soulful tonada can only gained through making the music be a part of ourselves, and that has to be done by listening and a lot of repetition. So my first suggestion is to get a hold of some tune you like from any record, and start committing it to memory by listening and repeating it 'till you know it. You will feel like you've accomplished a lot after you do this. Also by listening to recordings of other players you get many ideas for things you can try that you may want to incorporate into your playing. My second advice is to develop a steady rhythm as you learn the music, and only after you're rock solid in the technique and the expression should you begin to pull on the rhythm. In order to do this you need to be playing with accompaniment so you can feel the tension that develops when trying to pull the rhythm against the strong beat of the cuatro or guitar. This is very common when performing merengues and joropos as well. In the performance of slow pieces try to incorporate dynamic contrast as well as many colors to express the changes in mood. Finally, don't ever let up in your quest for mastery over the instrument, the better you play the more fun you will have playing fast Joropos, or Choros, and remenber, Perseverance is the key to achievement. Gracias.

Marco Granados

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